Animation, Motion Graphics and Visual Effects
We have a team of magicians that can do anything from removing dust to removing full humans out of scenes and from adding zombies to explosions into movies. If you can think it up, we can do it in post.
Mass FX Media was approached by Dorsey Pictures for help with designing a set of 3D maps for the pilot of Alaska Treasure Hunters. The goal was to give the audience their bearings, but also communicate the difficulty of the Alaskan terrain that the treasure hunting team was facing.
Mass FX Media was approached by Dorsey Pictures for help with designing a set of 3D maps for the pilot of Alaska Treasure Hunters. The goal was to give the audience their bearings, but also communicate the difficulty of the Alaskan terrain that the treasure hunting team was facing.
Mass FX Media was approached by Dorsey Pictures for help with designing a set of 3D maps for the pilot of Alaska Treasure Hunters. The goal was to give the audience their bearings, but also communicate the difficulty of the Alaskan terrain that the treasure hunting team was facing.
Mass FX Media was approached by Dorsey Pictures for help with designing a set of 3D maps for the pilot of Alaska Treasure Hunters. The goal was to give the audience their bearings, but also communicate the difficulty of the Alaskan terrain that the treasure hunting team was facing.
Mass FX Media was approached by Dorsey Pictures for help with designing a set of 3D maps for the pilot of Alaska Treasure Hunters. The goal was to give the audience their bearings, but also communicate the difficulty of the Alaskan terrain that the treasure hunting team was facing.
Mass FX Media was approached by Dorsey Pictures for help with designing a set of 3D maps for the pilot of Alaska Treasure Hunters. The goal was to give the audience their bearings, but also communicate the difficulty of the Alaskan terrain that the treasure hunting team was facing.
Mass FX Media was approached by Dorsey Pictures for help with designing a set of 3D maps for the pilot of Alaska Treasure Hunters. The goal was to give the audience their bearings, but also communicate the difficulty of the Alaskan terrain that the treasure hunting team was facing.
Mass FX Media was approached by Dorsey Pictures for help with designing a set of 3D maps for the pilot of Alaska Treasure Hunters. The goal was to give the audience their bearings, but also communicate the difficulty of the Alaskan terrain that the treasure hunting team was facing.
Mass FX Media was approached by Dorsey Pictures for help with designing a set of 3D maps for the pilot of Alaska Treasure Hunters. The goal was to give the audience their bearings, but also communicate the difficulty of the Alaskan terrain that the treasure hunting team was facing.
Mass FX Media was approached by Dorsey Pictures for help with designing a set of 3D maps for the pilot of Alaska Treasure Hunters. The goal was to give the audience their bearings, but also communicate the difficulty of the Alaskan terrain that the treasure hunting team was facing.
Mass FX Media was approached by Dorsey Pictures for help with designing a set of 3D maps for the pilot of Alaska Treasure Hunters. The goal was to give the audience their bearings, but also communicate the difficulty of the Alaskan terrain that the treasure hunting team was facing.
Mass FX Media was approached by Dorsey Pictures for help with designing a set of 3D maps for the pilot of Alaska Treasure Hunters. The goal was to give the audience their bearings, but also communicate the difficulty of the Alaskan terrain that the treasure hunting team was facing.
Mass FX Media was in the field with the Exposure Labs team for 3 years, helping to capture above and below water footage used in the film. Once production was complete, Mass FX designed and animated all of the title graphics and data visualizations for the film. We also stitched Chasing Coral, the VR Experience, a 360 short film companion to the feature documentary, and stitched and aligned all of the time-lapses used in the climax of the film and also for scientific research beyond the film.
Mass FX Media was in the field with the Exposure Labs team for 3 years, helping to capture above and below water footage used in the film. Once production was complete, Mass FX designed and animated all of the title graphics and data visualizations for the film. We also stitched Chasing Coral, the VR Experience, a 360 short film companion to the feature documentary, and stitched and aligned all of the time-lapses used in the climax of the film and also for scientific research beyond the film.
Mass FX Media was in the field with the Exposure Labs team for 3 years, helping to capture above and below water footage used in the film. Once production was complete, Mass FX designed and animated all of the title graphics and data visualizations for the film. We also stitched Chasing Coral, the VR Experience, a 360 short film companion to the feature documentary, and stitched and aligned all of the time-lapses used in the climax of the film and also for scientific research beyond the film.
Mass FX Media was in the field with the Exposure Labs team for 3 years, helping to capture above and below water footage used in the film. Once production was complete, Mass FX designed and animated all of the title graphics and data visualizations for the film. We also stitched Chasing Coral, the VR Experience, a 360 short film companion to the feature documentary, and stitched and aligned all of the time-lapses used in the climax of the film and also for scientific research beyond the film.
Mass FX Media was in the field with the Exposure Labs team for 3 years, helping to capture above and below water footage used in the film. Once production was complete, Mass FX designed and animated all of the title graphics and data visualizations for the film. We also stitched Chasing Coral, the VR Experience, a 360 short film companion to the feature documentary, and stitched and aligned all of the time-lapses used in the climax of the film and also for scientific research beyond the film.
Mass FX Media was in the field with the Exposure Labs team for 3 years, helping to capture above and below water footage used in the film. Once production was complete, Mass FX designed and animated all of the title graphics and data visualizations for the film. We also stitched Chasing Coral, the VR Experience, a 360 short film companion to the feature documentary, and stitched and aligned all of the time-lapses used in the climax of the film and also for scientific research beyond the film.